Category: $1000 Records

Jazz Vinyl on a Summer’s Day

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Where did I leave off before I was so rudely interrupted by the summer? Oh yeah, Freddie Redd, Shades of Redd, Blue Note 4045. Ex-plus record, some questions about the cover, overall consensus that this was not the copy to purchase after waiting for 45-plus years. Reality would have bitten anyway, because the final price was $1,624, which would have exceeded any reasonable price I would have been willing to pay. Of course, what is reasonable to me seems to be pretty far out of whack with what is reasonable in today’s overall market. I think I’ll solace myself with listening to my lovely Japanese pressing this evening. In the end, it’s about the music anyway, isn’t it? Or is it? This is another one on my so-called want list, meaning it is an original pressing I don’t own: Here Comes Louis Smith, Blue Note 1584. This one is listed as VG++ for both the record and the cover and it has a start price of about $1,600. There are more than four days left on the auction and so far there are no bidders. Read more

To Bid, or Not to Bid

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Needless to say, I did not bid on that copy of Freddie Redd, Shades of Redd, Blue Note 4045. I was convinced that there was enough difference of opinion on the cover to avoid taking the risk. In any case, I’m pretty sure I wouldn’t have bid enough to win the record anyway. The final price was $1,624, and who knows how much higher the winning bidder actually bid. Perhaps if it had been a mint copy, but I’m guessing that mint copies will now only be available in the $2,000 or even $3,000 bin. In any case, time to move on. The Jazz Record Center has a copy of Jackie McLean, The New Tradition, Ad Lib 6601. This is an original pressing. The record looks to be in VG++ condition and the cover probably around VG+. The bidding is in the range of $2,250 and the auction closes in a little more than a day. I would love to replace that record in my collection, and I like the fact that it is from the Jazz Record Center, but the price is beyond my reach, financially and philosophically.

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More Adventures . . . Or Just Misadventures?

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Today we have various jazz vinyl that has caught my eye for various reasons, starting with Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This looks to be an original New York pressing with the green cover, although it’s hard to tell if it is the frame cover from the picture, but the seller says that it is. The seller also says the cover is VG++, which doesn’t look quite accurate to these eyes. The record is listed in VG+ with “a touch of light surface noise in spots.” The start price is around $280 and there are nearly five days left on the auction. So far there are no bidders. When I started collecting, this was considered a real rarity, John Coltrane’s first recording with Miles. And, indeed, this record has made it into the $1,000 bin several times. I’m wondering if there will be interest in this record. If not, will it be because of the condition or will it be because it is not on Blue Note? I’m sensing it may be a combination of the two. But I could be wrong and the bidding will become heated at the last minute, as it so often does on eBay. Read more

Blue Notes Galore, For a Price

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Catching up on a recent interesting Blue Note auction from the Jazz Record Center. Lots of items for the $1,000, $2,000 and even the $3,000 bin, starting with Lee Morgan Volume 3, Blue Note 1557. This was an original New York 23 pressing that looked to be in M- condition for both the record and the cover. The final price was $3,248. This was not the highest price ever for this record, but it’s close. A couple of years ago a similar copy sold for $4,177, according to Popsike. We’ll keep going on these for a bit, continuing with Curtis Fuller, The Opener, Blue Note 1567. This was an original West 63rdStreet pressing that was listed in Mint condition for the record and “virtually new: condition for the cover. This one sold for $2,638, also close to a record high, but not quite reaching the $3,051 for a copy in 2015.

Sonny Clark Trio, Blue Note 1579. Original West 63rdStreet pressing, Mint condition for the record and the cover, $2,425.

Walter Davis Jr., Davis Cup, Blue Note 4018. Original West 63rdStreet pressing. Mint condition for the record and the cover, $2,413.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. Original West 63rdStreet pressing, Mint condition, $2,137.

Sabu Martinez, Palo Congo, Blue Note 1561. Original West 63rdStreet pressing, promo copy, Mint condition, $1,580.

Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. Original West 63rdStreet pressing with the Andy Warhol cover. Mint condition for the record, perhaps slightly less for the cover, $1,221.

Lou Donaldson, Wailing With Lou, Blue Note 1545. Original New York 23 pressing, probably VG++ condition for both the record and the cover, $1,225.

That’s it for now. I could go on, but my fingers have gotten sore from typing in all of those numbers.

 

 

 

 

Vinyl Musings and a Plea to Help Kenny Burrell

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I spent the last three weeks galivanting around Europe. Alas, no record stores or scores on this trip, not even any live jazz. But, I’m back and checking up on some of the things I missed whilst away, including an auction from the Jazz Record Center that featured Art Pepper, Modern Art, Intro 606. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. The final price was $2,225. The same auction also featured Bill Evans Trio, Portrait in Jazz, Riverside 315. This was an original pressing with the small blue and silver reels logo. The record and cover both looked to be in new, pristine condition. The final price was $1,385. Finally, this is not music I am familiar with, but I’m sure it will be of interest to Clifford and other readers: Maulawi, Strata SRI-104-74. This looks to be an original pressing in M- condition. The final price was $910.

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Grails, Holy Grails and Actual Jazz Records

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Nice discussion on the previous post. Here are a bunch of rare jazz records on my eBay watch list as I prepare to take a brief holiday. Let’s start with Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. The seller uses one of our least favorite terms, “Holy Grail,” which wouldn’t apply to this record even if it was suitable language, if you get my drift. Anyway, this looks to be an original pressing with the booklet. The record is listed in Ex condition and the cover looks to be a fairly generous VG. The bidding is in the $1,300 range with more than four days left on the auction, so you could see this in the $2,000 bin when all is said and done. The top price for this record, according to Popsike, has been about $3,840. I was fortunate when I purchased the collection in Baltimore to get a beautiful clean original copy of this record.

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Are You Ready for the $6,000 Bin?

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Got a note from our friend Japhy yesterday pointing me to this: John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 labels and “Review Copy” stamp on the labels. It was listed in Ex+ condition, which I would imagine to be VG++, and the sellers points at that there are some “slightly audible” tics. The cover is listed in M- condition. Not that it matters, but it had a Blue Note inner sleeve with the Tina Brooks album Back to the Tracks, which, to my knowledge, wasn’t released until sometime in the 1980s. In any case, this record sold for $6,343, which is certainly why Japhy would have forwarded it to me. According to Popsike this copy of Blue Train, tics and all, sets a new price record and is the first to surpass $5,000, let alone $6,000.

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Blue Notes and Beyond

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The Jazz Record Center has a veritable Blue Note Jazz Festival on eBay now, with several beauties, including a couple that are already sitting in the $3,000 bin, including: Kenny Dorham, Afro-Cuban, Blue Note 1535. This is an original 12-inch pressing with the Lexington Avenue address, flat rim playing surface and frame cover. This looks to be in M- condition for both the record and the cover. The auction closes in a bit more than one day and the bidding is already at $3,015. Then there is the Lee Morgan Sextet, Blue Note 1541. This is also an original Lexington Avenue, frame cover pressing, and this one has promo stamps on the labels. The record looks to be in M- condition and the cover is probably M- or, at worse, VG++ for sticklers. The bidding is at $3,000. Read more

Soul Sisters, Smithvilles and Other Vinyl Rarities

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Since I haven’t been posting as frequently as I used to, I find I have a backlog in my watchlist of items I meant to write about, but haven’t had a chance. So let’s go back a few weeks and see what we missed, starting with Horace Silver, Serenade to a Soul Sister, Blue Note 4277. This was an original Liberty Mono pressing and was part of the recent Jazz Record Center auction. I honestly never realized any copy of this record was viewed as highly collectible until I read the JRC’s description of it as “the rare Van Gelder-stamped mono pressing.” Apparently these mono pressings were never sold to the public. I often find I learn something new whenever JRC has an auction. This copy was in M- condition for the record and the cover. The final price was $464. Guess I’ll have to settle for my nice stereo pressing.

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Random Rarities

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Randomness from an eBay watchlist. John Coltrane, A Love Supreme, Impulse 77. This looks to be an original mono pressing. The record and cover are both graded as M-, although the picture seems to show wear on the cover, unless that is just a reflection from the camera. In any case, there are five days left on the auction and the bidding is already in the $325 range. Out of curiosity, I popped over to Popsike to see if A Love Supreme had ever made it into the $1,000 bin and the answer is that yes, indeed, it has, a few times, maxing out at $1,225. You kind of get the feeling because the album is such an icon, that the value will continue to go up. Is this the highest price we’ve seen for any Impulse? I can’t think of one off the top of my head.  I put it in this post primarily because I wanted to show a picture of the cover, which always puts a smile on my face. Read more

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