A couple of months ago, I received an email from longtime reader and sometime contributor to Jazz Collector, Stuart Levine. The email was as follows: “After decades of collecting Jazz vinyl, I made a decision to sell all my LPs with the exception of just a few. And having just moved back to Japan, I must now resist the temptation to buy over here. I’d like to write about the choices I made, which I think will be interesting to your readers. May I do so and send you my writing?”
Of course. The same invitation is open to anyone. Stuart reminded me that it is almost 10 years to the day since we published an earlier article – Adventures in Jazz Collecting, Tokyo Style. Couldn’t help but notice that there were 54 comments on that article. Bravo to Stuart and all of the commenters. Ah, the good old days.
Anyway, the article arrived the other day, along with the title Stuart suggested title, so, without further ado, may we present:
The Records (But Not the Music) Are Over
By Stuart Levine
Well, I did it. I sold my jazz record collection. Now approaching 70, I’m trying to downsize and just not finding the opportunity to listen to my LPs. You see, for years I’ve been living in Japan with my wife and two daughters, while all this time storing my records and audio equipment back on the West Coast. The irony is that I’m in the land (or rather, on the island) whose people love our American art form of Jazz, yet I, myself, can’t listen to my own records. I don’t want to bore anyone with details as to why not, but suffice it to say that living quarters are tight there and sound travels easily.
I’ll miss visiting the record stores – the crate digging and conversations with fellow vinyl enthusiasts. It had all started during my college days with CTI and fusion. But later, I discovered Hard Bop and “watch out” – I was hooked! Good thing I started making some decent money because as you know, those Blue Notes are expensive. So gone are roughly 400 LPs; however, I did keep a few. They are Somethin’ Else, Maiden Voyage and Kind of Blue. All are first pressings. My copy of Kind of Blue is very early. Just couldn’t part with these three.
As far as sales went, I did pretty well with my treasured vinyl. A VG++ Cool Struttin’ came in at a cool $4,283. A near mint Wahoo did a whopping $1,725 and even a VG+ Juju sold for $900, netting me $630. Yep, further evidence of Blue Notes’ cachet. On the other hand, Impulse didn’t do so well. My pristine mono copy of Blues and the Abstract Truth disappointed at 75 bucks. Gosh, darn it … wish I could have that one back as well as other gems in my collection such as Saxophone Colossus and A Love Supreme. Oh, stop it, Stuart! You’re done! There are always cds.
But before I close, I’d like to give shout outs to Charles Pearlman of Strictly Headies and Jason Perlmutter of Carolina Soul (thanks to Al for recommending Jason). They did such a professional job of listing my records on their eBay sites. With Charlie, who sold most of my jazz records, I got to visit Portland, Oregon, enjoying the greenery I don’t get in the Las Vegas desert where my parents live. And for the first time, I flew to Durham, North Carolina to meet Jason with a few jazz LPs and a good number of rock records. So, thanks guys … you represented my collection well, and I’m sure my records are spinning right now on worthy turntables. As for me, I think I’ll give a listen to “Stolen Moments” from my laptop computer.



Hi Stuart
That Blues and Abstract Truth should be worth several hundred dollars. I just listened to my pristine mono first press. Some collectors of Impulse label may prefer the stereo edition. I have a later red and black label stereo version and it sounds great. Not as ‘hot’ sounding on the tenor sax solos such as on A2 track .
Those Blue Notes you mention you sold must all be monos at those prices? I had to pay over $400 well before the pandemic for a NM liberty 1960’s mono of Cool Struttin but it sounds great!
I continue to be amazed, as an Impulse aficionado, at some prices on the label. The great Coltrane stuff other than ALS tops out around 100, but the later period Pharoahs routinely break 200. Both are amazing, but it does seem lopsided.