Tag: Oliver Nelson

The Records (But Not the Music) Are Over

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A couple of months ago, I received an email from longtime reader and sometime contributor to Jazz Collector, Stuart Levine. The email was as follows: “After decades of collecting Jazz vinyl, I made a decision to sell all my LPs with the exception of just a few. And having just moved back to Japan, I must now resist the temptation to buy over here. I’d like to write about the choices I made, which I think will be interesting to your readers. May I do so and send you my writing?”

Of course. The same invitation is open to anyone. Stuart reminded me that it is almost 10 years to the day since we published an earlier article – Adventures in Jazz Collecting, Tokyo Style. Couldn’t help but notice that there were 54 comments on that article. Bravo to Stuart and all of the commenters. Ah, the good old days.

Anyway, the article arrived the other day, along with the title Stuart suggested title, so, without further ado, may we present:

The Records (But Not the Music) Are Over

By Stuart Levine

Well, I did it. I sold my jazz record collection. Now approaching 70, I’m trying to downsize and just not finding the opportunity to listen to my LPs. You see, for years I’ve been living in Japan with my wife and two daughters, while all this time storing my records and audio equipment back on the West Coast. The irony is that I’m in the land (or rather, on the island) whose people love our American art form of Jazz, yet I, myself, can’t listen to my own records. I don’t want to bore anyone with details as to why not, but suffice it to say that living quarters are tight there and sound travels easily. Read more

Podcast: A Jazz Collector Playlist to Welcome in 2024

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This week’s theme. Welcoming in 2024, with 24-related jazz vinyl. Hint, Swing, Swang, Swinging’ and A New Perspective on Blue Note. Featured artists include Jackie McLean, Donald Bird, Herbie Hancock, Hank Mobley, Al Sears, Duke Ellington, Frank Sinatra, Ella Fitzgerald, Sonny Stitt, Bud Powell, John Coltrane, Oscar Pettiford, Oliver Nelson, Kenny Dorham.

This is New; And So Is That

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Pardon the interruption. Since I last posted, I’ve driven back and forth to Chapel Hill, written about a dozen papers for work and even tested positive for COVID-19 antibodies. It’s been busy here and I haven’t been able to spend a lot of time on my records or on Jazz Collector. Having said that, I plugged back into eBay this morning and pulled a few records to share with you, starting with Kenny Drew, This is New, Riverside 236. This is an original white label pressing and it looks to be in VG+ condition for both the record and the cover. This is a nice quartet/quintet record featuring Donald Byrd and Hank Mobley. Put it on Blue Note with this personnel from this era and you have a record that would be a regular in the $1,000 bin. On Riverside, the bidding is in the $275 range with the auction closing later today. Read more

A Classic, But Is It A Collectible?

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Ellington copyFollowing up on the latest auction from the Jazz Record Center, starting with Duke Ellington at Newport, Columbia 934. This was an original mono six-eye pressing. The record itself was sealed — in those days Columbia had a sealable inner sleeve. So the record was unplayed and the cover was M-. The price was $227.50. This is quite an important record in the history of jazz, capturing the concert that helped to revitalize Ellington’s career, but I’ve never known it to be particularly collectible. I’ve had original pressings at record shows and haven’t been able to sell them, even for $20. I’m not sure how much the market has changed for this record, although in certain circumstances, such as this one, clearly it can now sell for collectible prices. There was a previous copy that once sold for about $127, but the seller was bobdjukic so I’ve always assumed that was an aberration.

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In The Jazz Vinyl Vortex Once Again

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Dave Bailey copyI’m watching a few items from the current Jazz Record Center auction on eBay, including: The Dave Bailey Sextet, Bash!, Jazzline 33-10. This is an original pressing Kenny Dorham, Curtis Fuller, Tommy Flanagan and others. The record is listed in M- condition and the cover looks to be about VG+, based on the description. The bidding is at $200 with nearly three days left before the auction closes.

Oliver Nelson, The Blues and the Abstract Truth, Impulse 5. This is an original mono promo copy with the white label. The record is listed in M- condition and the cover looks to be about VG++. The bidding is at $100.

This is one that is completely new to me:

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Kind of Blues & The Abstract Truth

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Miles Davis Jazz Vinyyl copyLet’s catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Miles Davis, Kind of Blue, Columbia 1355. This was an interesting one because it looked to be an original first pressing and the record had never been played. When this album was first issued, Columbia used a plastic inner sleeve that had a seal. I know that from a couple of albums I purchased in the Baltimore collection. On this particular copy of Kind of Blue, the seal had never been broken. The cover also looked to be quite pristine and was graded in M- condition. The record wound up selling for $510, a fairly hefty price for the highest selling jazz record of all time. The question is, what will the buyer do with the record? Will he/she open it and play it, thus potentially lowering the value? Or will he/she put it on the shelf for posterity and listen to a different copy of the record, which is so readily available?

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Odds and Ends and eBay

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When I was buying and selling regularly on eBay a few years ago I would monitor the listings religiously. Every day I would go through all of the listings, one by one, page by page, and I pretty much never missed a thing. These days, I’m more likely to do occasional searches and focus on items I’m most interested in. Last night I had some time, so I went through my old routine of listing by listing, page by page. Here’s some of the jazz vinyl I watched.

Dizzy Gillespie and Stan Getz, Diz and Getz, Verve 8141. This was an original pressing with the trumpeter logo. The record was in M- condition and the cover was VG+, although it seemed to have original shrink wrap. The start price was $29.95. There were no bidders. Really? When I started collecting this would have been a nice commodity, hard to find, great artists, great collectible label. And it’s got quite a nice cover to boot. Now it’s not worth thirty bucks? Wow. How about Stan Getz and Chet Baker, Stan Meets Chet, Verve 8263. This one says “trumpet logo” in the headline, but there’s no picture of the label so I actually have to wonder if it is original. The record was listed in VG++ condition, close to M-, and the cover was VG+. The price was $57.

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