More Vintage Getz

3 comments

Posting that clip on Stan Getz playing The Way You Look Tonight evoked something for a bunch of readers last week. I got a note from my friend Dan Axelrod with an interesting story and clip:

“Billy Bauer told me he was in the Royal Roost in the early 50’s and Stan on a break returned to the bandstand and without accompaniment daven’d Little Girl Blue and when he was done there wasn’t a dry eye in the club.This ’56 live  Basin Street Cafe rendition (Shelly Manne, Oscar Pettiford, Dick Katz)  evokes a bit of that beauty- if you wanna post.”

stan-getz-little-girl-blue

A few words of explanation. Dan uses the word “daven’d.” This would be something of a Jewish colloquialism, although I’ve never heard anyone else use it precisely in this context. I think it generally means prayed, but in this case

Read more

Ready for a Risk? How About a Sealed LP

5 comments

We’ve been watching a seller this week with some sealed records on the Savoy label. These are a risk, since you can’t tell if the pressing is an original with the red label and the deep groove or perhaps a later pressing with the maroon label. The difference in value between these two pressings could be several hundred dollars — or perhaps even more, depending upon the record. While I’m a risk-taker, some of these got a little too high for my comfort level. Here are a couple:

Introducing Lee Morgan with the Hank Mobley Quintet, Savoy 12091. We’ve seen original copies of this record in nice condition selling for more than $500 in the Jazz Collector Price Guide, so a new, unplayed original would be worth quite a bit. But is this an original? Only the buyer will know if, indeed, the buyer ever opens it. In this case the buyer is spending $161.50 to find out.

This one was also tempting:

Read more

Adventures in Jazz Collecting: The Auction, Part 6

No comments

Now we get to the batch of records that turned out to be the most pleasant surprise of all. There was at one point a group listed as such: Bill Evans, Seven Riverside LPs. There was a picture on the Web site and there was a copy of Waltz for Debby in there and perhaps an original pressing of New Jazz Conceptions as well. Anyway, I was hoping to steal this one, but once the bidding surpassed $400 I realized there was no steal to be had and I had better keep my mouth shut. The package eventually went for $650. Ah, well. However, about 15 minutes later there was another group of LPs, described as such: Bill Evans, Eleven LPs, Eight Verve and Three Riverside. There was no picture or other description. I won this lot at $80, so my total for these 11 records was $93.60. This is a great batch of music, and each record is in

Read more

Adventures in Jazz Collecting: The Auction, Part 5

No comments

All right, let’s do some more of this Jazz Auction stuff. So, by this point in the auction I have purchased eight lots and I am clearly on a roll and forgetting about the 17 percent surcharge and figuring, “What the heck, I’m already paying for shipping, let’s buy some more records.” And so I did.

Gerry Mulligan, Seven LPs. Price: $46.80. Why? There is no good answer to this question. I certainly have all of these LPs, and probably don’t even want to keep all of these LPs, and there is probably not that much of a market for these LPs on eBay. The best of the records, from a collectible standpoint, is The Gerry Mulligan Songbook on World Pacific. There’s also a nice Mulligan on Emarcy with Zoot Sims. There’s a copy of Mulligan and Stan Getz on Verve, but it’s an MGM pressing. Really, there was no rhyme or reason to bidding on these — and actually winning — other than the adrenaline rush of buying more records.

Sonny Rollins, Three RCA Victor LPs and Lester Young For LPs. Price: $93.60. This fits into

Read more

Adventures in Jazz Collecting, The Auction Part 4

9 comments

OK. The auction records are here, in a newly created bin on the floor of my music room/office. It’s fun looking through the records, of course, encountering pleasant surprises, but what I am most looking forward to is listening to them. That’s the best thing about getting new records, or even getting new copies of old records: Exploring and discovering (or rediscovering) the music. As I type this I’m listening to Wes Montgomery Full House and it’s probably the first time I’ve listened to this LP in 10 years or more. With 10,000 records a lot of great LPs wind up sitting on the shelf. I remember the first time I heard this record. I was in a car with my friend Dan and we had the radio on and we heard a Wes solo and we knew immediately it was Wes and then the tenor player starting playing and we were both blown away because he was really cooking and we couldn’t figure out who it was. It was, of course, Johnny Griffin. And now I am listening to this beautiful near mint copy of this record again and, ah, what a nice way to start a gorgeous Sunday morning. Anyway, back to the auction items:

The next one I purchased was listed as: Stan Getz, Three Verve LPS with Trumpeter labels. Price $40.95. These turned out to be For Musicians Only with Dizzy Gillespie and Sonny Stitt;

Read more

Adventures in Jazz Collecting: The Auction, Part 3

No comments

Guess what came in the mail yesterday? Remember that Jazz Auction in which I participated a few weeks ago. Well the records are here and now I can tell you how I did. Remember, I bid blind on these records, based on the written descriptions, and I gambled on quite a few of the packages. I was competing with a bunch of sellers/dealers who were at the scene and had the opportunity to physically view the records. Also, I paid an extra 17 percent above what I bid because that was the fee taken by the auction house. In any case, here are the results, part one of three: Live vicariously through me if you please. The prices listed below include the 17 percent extra fee, so they are the amount I actually paid for each package. Also, the listings as I describe them below are similar to the way they were listed in the auction itself.

Wes Montgomery, Full House. Price: $70.20. This is an original blue-label Riverside

Read more

On eBay: Johnny Griffin, Art Farmer, Hank Mobley

4 comments

Ever think about how many jazz records are on eBay at any one time? When I was perusing the list this morning I checked it out: Today there are more than 142,000 jazz records on eBay, just 33 RPM. Of that, there are about 8,000 up for auction. Here are a few of them:

Here’s a record I didn’t know about: Johnny Griffin, Night Lady, Philips 48071. I should be more specific: I was aware of this record as a U.S. Emarcy pressing but, until seeing this listing, I didn’t realize it was originally issued in The Netherlands. This one looks to be in very nice condition and is at about $340 with several hours left to go.

This one will be getting a nice price: Art Farmer, Farmer’s Market, New Jazz 8203. This is an original pressing with the purple label. It looks to be in near mint condition and is already at more than $300 with a few more hours to go.

Here’s one that’s been bid up past $500 but still has not yet reached the seller’s reserve price:

Read more

Shades of a Dilemma

5 comments

Here is one of the dilemmas in doing Jazz Collector and being a jazz collector at the same time. In the course of perusing eBay for the site, I sometimes run into records that I may want myself. Do I write about them or do I watch them in silence, place my bid and pray like everyone else? Here’s a case in point: Freddie Redd, Shades of Redd, Blue Note 4045. This seems to be an original pressing and it looks to be in very nice condition, at least VG++ and perhaps even better. The current price is just $70. The only copy I own of this record is a Japanese pressing. Actually, I own two Japanese pressings because it is one of my favorite records. I also own the Mosaic CD, but that is beside the point. The point is I would like to own an original pressing. I mean, that is why we’re here, isn’t it? Anyway, I’m sure this will

Read more

The Rise of the Second Pressing, Redux

6 comments

We’d been talking a few weeks back about how second presses — and even third presses — are starting to get some traction as collectibles. Or, to put it more aptly, how later presses are starting to sell more often at collectible prices. Here’s one we happened to notice yesterday on eBay: Jackie McLean, 4, 5 & 6, New Jazz 8279. In the listing, the seller lists this as an “original” purple label pressing, which is somewhat accurate, I guess. It is an original version of this pressing, but the issue itself is a reissue of the original Prestige, so it is a bit of a stretch to call this an original pressing. Nonetheless, I’m not sure whether the description has that big an impact on the bidding because you would think the people bidding into three figures on these records would have some knowledge of what they are doing. Except, of course, those

Read more

Some Top Prices: Getz, Jackie, et al

No comments

Hmm, prices seem on the rise again. Here are some records we’ve been watching this week:

Sonny Clark, Dial S For Sonny, Blue Note 1570. This was the one listed as Sonny Clarke. The record and cover were in VG++ condition and it seemed to be an original pressing. The price was $1,413.

There was also this: Stan Getz Plays, Norgran  1042. This was in M- condition for the vinyl and VG++ for the cover. The seller was Euclid Records. The price was $432. We thought this might be the highest price we’ve ever recorded in the Jazz Collector Price Guide for any Getz record, but, surprise, a copy of this same record in M- condition once sold for more than $700. Still, $432 is a pretty high price for this record. Do you think that our coverage here at Jazz Collector, and the clip we played, had anything to do with the bidding?

This is the highest price we’ve ever recorded for this LP: Jackie McLean, Jackie’s Bag, Blue Note 4051. This one was in M- condition and sold for $702.

This one would have made the $1,000 bin, but it didn’t meet the seller’s reserve price:

Read more