Of course. The same invitation is open to anyone. Stuart reminded me that it is almost 10 years to the day since we published an earlier article – Adventures in Jazz Collecting, Tokyo Style. Couldn’t help but notice that there were 54 comments on that article. Bravo to Stuart and all of the commenters. Ah, the good old days.

Anyway, the article arrived the other day, along with the title Stuart suggested title, so, without further ado, may we present:

The Records (But Not the Music) Are Over

By Stuart Levine

Well, I did it. I sold my jazz record collection. Now approaching 70, I’m trying to downsize and just not finding the opportunity to listen to my LPs. You see, for years I’ve been living in Japan with my wife and two daughters, while all this time storing my records and audio equipment back on the West Coast. The irony is that I’m in the land (or rather, on the island) whose people love our American art form of Jazz, yet I, myself, can’t listen to my own records. I don’t want to bore anyone with details as to why not, but suffice it to say that living quarters are tight there and sound travels easily.

I’ll miss visiting the record stores – the crate digging and conversations with fellow vinyl enthusiasts. It had all started during my college days with CTI and fusion. But later, I discovered Hard Bop and “watch out” – I was hooked! Good thing I started making some decent money because as you know, those Blue Notes are expensive. So gone are roughly 400 LPs; however, I did keep a few. They are Somethin’ Else, Maiden Voyage and Kind of Blue.  All are first pressings. My copy of Kind of Blue is very early.  Just couldn’t part with these three.

As far as sales went, I did pretty well with my treasured vinyl. A VG++ Cool Struttin’ came in at a cool $4,283. A near mint Wahoo did a whopping $1,725 and even a VG+ Juju sold for $900, netting me $630. Yep, further evidence of Blue Notes’ cachet. On the other hand, Impulse didn’t do so well. My pristine mono copy of Blues and the Abstract Truth disappointed at 75 bucks. Gosh, darn it … wish I could have that one back as well as other gems in my collection such as Saxophone Colossus and A Love Supreme. Oh, stop it, Stuart! You’re done! There are always cds.

But before I close, I’d like to give shout outs to Charles Pearlman of Strictly Headies and Jason Perlmutter of Carolina Soul (thanks to Al for recommending Jason). They did such a professional job of listing my records on their eBay sites. With Charlie, who sold most of my jazz records, I got to visit Portland, Oregon, enjoying the greenery I don’t get in the Las Vegas desert where my parents live. And for the first time, I flew to Durham, North Carolina to meet Jason with a few jazz LPs and a good number of rock records. So, thanks guys … you represented my collection well, and I’m sure my records are spinning right now on worthy turntables. As for me, I think I’ll give a listen to “Stolen Moments” from my laptop computer.

This week’s theme: The first recordings of Miles Davis and John Coltrane together. Featured artists are Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones.

This week’s theme: All the Things You Are in multiple settings. Featured artists include Art Tatum, Ben Webster, Charlie Parker, Dizzy Gillespie, Miles Davis, Bill Evans, Eddie Gomez, Tal Farlow, Dan Axelrod, Eddie Costa, Booker Ervin, Tommy Flanagan, Richard Davis, Alan Dawson, Phineas Newborn Jr., Oscar Pettiford, Kenny Clarke, Johnny Griffin, John Coltrane, Hank Mobley, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey, Ella Fitzgerald, Horace Silver, Rosemary Clooney, Scott Hamilton, Warren Vache, Carmen McRae, Kenny Dorham, Doug Watkins, Dexter Gordon, Barry Harris, Buster Williams, Tootie Heath.

In my online adventures I stopped at a few places, Blue Note, Craft, and a label called The Lost Recordings. I bought two vinyl reissue records from Craft: The Kenny Drew Trio originally on Riverside and Miles Davis, The Musings of Miles originally on Prestige. I think I paid $39 for Miles and $18 for Kenny Drew. I bought these two records for a couple of reasons. One was to check out the new version of the Original Jazz Classics series. I admit that I hated the original OJCs, which began in 1983. While I appreciated that the music was being made available, I never liked the packaging, i.e., the thin vinyl and thin covers. I would buy the OJCs because they were not overly expensive and they could fill gaps in my collection, but I always sought to replace them with original pressings. Of course. Wouldn’t you? I had reached the point where I didn’t own any more of the original OJCs. When Craft came out with the current OJC series, I reached out to their public relations people to get review copies, but, alas, I was not placed on the list, despite my seemingly stellar credentials as not just the owner of Jazz Collector dot com, but also as the host of the Jazz Collector Radio podcast. In any case, I wasn’t getting any free copies of anything from Craft, so when the urge to buy became too strong, I bit the bullet and ordered these two records, plus the Bill Evans boxed set called Haunted Heart, which I haven’t even opened yet.

I chose the Miles and Kenny Drew records primarily because of my radio show/podcast. I have an original pressing of The Musings of Miles, but I hate bringing some of these $1,000 records into the radio studio if I can avoid it. So I could kill two bird with one stone: I could check out the new Craft OJC Series and have an alternative to bring into the studio when it came time to play the Musings of Miles, which I did on the podcast called Old Vinyl, New Bottles. I bought the Kenny Drew Trio record because I don’t own an original copy and I had decided to do a radio show/podcast on Kenny Drew.  When I did do that podcast, Unsung Artists – Kenny Drew on Piano, I was able to use the Craft reissue and play a couple of tracks.

My opinion of the new Craft OJC series is different that that for the original OJCs. I really like these reissues. I liked that they used heavier vinyl, heavier cardboard, and they keep the original packaging. I’m no audiophile, but they sound great to me. There’s a slight mistake on the Kenny Drew packaging band – they refer to it is Kenny Drew’s first as a leader, when, to my knowledge, he had recorded two or three records as a leader prior to this one (a 10-incher on Blue Note, one on Norgran, and one on East-West?). But the band comes off, so it’s merely a packaging thing. For the Miles record, I had always felt that on the original record, Miles’ trumpet on the track “I See Your Face Before Me,” was recorded at too low a volume. I was hoping the reissue would fix that, but it doesn’t. Still, it’s a great record and package. Bottom line, for anyone who doesn’t own an original pressing and wants the music, I don’t think you can go wrong with these OJC vinyl pressings at their prices.

As always, I’m curious as to what others have experienced with these reissues, but I also realize that most of my most loyal readers are not here anymore since I stopped posting regularly and started doing more of the radio shows/podcasts.

BTW, in addition to the Craft reissues, I bought a few new/old Blue Notes. Hopefully, I will be inspired to listen to them and write about them sometime soon.

The post Old Vinyl, New Bottles, Craft OJCs first appeared on jazzcollector.com.]]> https://jazzcollector.com/riverside/old-vinyl-new-bottles-craft-ojcs/feed/ 4 9841 https://jazzcollector.com/podcast/podcast-1953-it-was-a-very-good-year/ https://jazzcollector.com/podcast/podcast-1953-it-was-a-very-good-year/#comments Thu, 12 Feb 2026 15:09:36 +0000 https://jazzcollector.com/?p=9830 This week I indulge myself with a show for my very own birthday. In the past I’ve played tracks recorded on Feb. 4, including Miles [...]

This week’s theme: Exploring recent vinyl reissues from Blue Note, Prestige, and Riverside. Featured artists include Dexter Gordon, Kenny Drew, Paul Chambers, Philly Joe Jones, Dave Burns, Ron Carter, Hank Mobley, Freddie Hubbard, Wynton Kelly, Art Blakey, Donald Byrd, Frank Foster, Lew Tabackin, Julian Priester, Joe Chambers, Jimmy Ponder, Horace Silver, Stanley Turrentine, Bob Cranshaw, Mickey Roker, Miles Davis, Oscar Pettiford, Sonny Red, Sam Jones, Roy Brooks.

This week’s theme: Composed by Dizzy. Featured artists include Dizzy Gillespie, Charlie Parker, Clyde Hart, Remo Palmieri, Slam Stewart, Cozy Cole, Al Haig, Curly Russell, Sid Catlett, Miles Davis, Cannonball Adderley, Paul Chambers, Philly Joe Jones, Ella Fitzgerald, Ray Barretto, Ray Bryant, Tommy Bryant, Charles Persip, Charles McPherson, Cliff Jordan, Barry Harris, George Tucker, Alan Dawson, Junior Mance, Les Spann, Sam Jones, Lex Humphries, Chino Pozo, James Moody, Kenny Barron, Chris White, Rudy Collins, Red Garland, John Coltrane, Donald Byrd, Arthur Taylor, George Joyner, Dexter Gordon, Bud Powell, Pierre Michelot, Kenny Clarke, Double Six of Paris, Supersax.

This week’s theme: Part two of our exploration of jazz tracks that have the name of a woman in the title. Featured artists include Miles Davis, Gil Evans, Bill Evans, Eddie Costa, Ray Charles, Paul Desmond, Jim Hall, Art Blakey, Eddie Jefferson, Lee Morgan, Bobby Timmons, Benny Golson, Billy Taylor, Stan Getz, Al Haig, Jimmy Raney, Cannonball Adderley, Nat Adderley, Sam Jones, Louis Hayes, Barry Harris, Jimmy Rushing, Coleman Hawkins, Jackie McLean, Freddie Redd, Tina Brooks, Nat King Cole, Sweets Edison, and more.

This week’s theme: Songs that have the name of a woman in the title. Eclectic, but fun. And some great music. Featured artists include Sonny Rollins, John Coltrane, Max Roach, Clifford Brown, Wynton Kelly, Cannonball Adderley, Bill Evans, Connie Kay, Percy Heath, Eddie Jefferson, Oscar Peterson, Thelonious Monk, Sonny Stitt, Miles Davis, Red Garland, Paul Chambers, Philly Joe Jones, Jimmy Rushing, and many more.

This week’s theme: Part one of a two-part celebration of my father’s 100th birthday. Also a reminder to read Song For My Father from the Jazz Collector archives. Featured artists include Horace Silver, Art Blakey, Miles Davis, John Coltrane, Sarah Vaughan, Tal Farlow, Buddy DeFranco, Lee Morgan, Benny Golson, Red Garland, Bobby Timmons, Cannonball Adderley, Nat Adderley, Wes Montgomery, Wynton Kelly, Modern Jazz Quartet, Jimmy Smith, Richie Cole, Kenny Burrell, and many, many more.