Giant Steps: Black or Bulls-Eye or Both?

The real reason I was looking at the listings of bobdjukic was the copy he is selling of John Coltrane, Giant Steps, Atlantic 1311. This is a mono pressing with the bulls-eye label. Here’s what he says about the record: “Believed by many to be of the same vintage as the black Atlantic stereo label — in other words, as strangely as it sounds, one of two ‘co-equal’ first pressings.” This depiction is a new one for me, and I’m quite skeptical of its accuracy. A few years ago, I was scolded on this very site for purchasing a bulls-eye stereo copy of Giant Steps, even though I only paid $50. That’s my copy in the picture. The value has subsequently gone up. But this is the first time I’m hearing that anyone believes the bulls-eye and black labels are

Read more

Jeepers Creepers, Where’d You Get Those Eyeballs?

If you’ve been on eBay this week, you’ve probably noticed the listings of the seller bobdjukic, who has a few hundred records listed, not all jazz. He’s a seller who often puts up nice stuff. I’ve never bought from him, so I don’t know his reputation. One thing I do know: His listings get noticed. I was glancing at the listing for Johnny Griffin, A Blowing Session, Blue Note 1559. This seems to be an original pressing in less than VG condition with a cover that’s just in G or G+ condition. Not great by any means. I was not surprised at the $100 price tag — nothing about Blue Note prices surprises me anymore — but by the number of page views the item received: It has a staggering total of 1,579 views and there are still four days to go. In all the years I’ve been listing on e-Bay, I’ve never had a single record receive that kind of viewership. I’m not sure what this guy does to attract eyeballs, but whatever it is, it is working.

Updates: More Monterose and More Blue Note

Jazz Collector is certainly expanding my horizons. Today I spoke to a bass player in Rochester who was friends with J.R. Monterose and, in fact, produced a CD that is probably J.R.’s last recording. He’s sending me a copy and I’ll let you know about it when it arrives. Quite possibly we could end up as a repository of the first and last known recordings of J.R. Monterose. Pretty cool. Also, I had a long conversation with Ron Rambach, who has a company called Music Matters, which reissuing of a good portion of the Blue Note catalogue as

Read more

Les Paul Dies

News travels so fast these days: I go on Facebook and there are notes from a bunch of people that Les Paul has died. He was not a great jazzman, but he was an innovator and certainly influential. Now that I convinced my friend Dan Axelrod to write something about Tal Farlow, I will ask him to do something about Les Paul, because I know he has a few personal stories.

Does Jazz Really Need Saving?

There was an article in the Wall Street Journal the other day entitled Can Jazz Be Saved?” It cites a bunch of statistics showing that the audience for jazz in the U.S. is both dwindling and aging, which is not a good combination. It’s somewhat of a sad commentary on the state of the jazz scene in America, but it does ignore the other reality that jazz is still revered and treasured to a much greater degree in Europe and Asia. It also talks about jazz following the route of classical music, in the sense that it is now viewed a an art form of high culture. I thought it might be interesting to share with everyone. In a way, the article supports what we’re seeing in the jazz collectibles market — the belief that jazz is a high art form and its history should be cherished and preserved: Thus, the subsequent rise we’re witnessing in prices for the original artifacts.

How Would You Like These in Your Collection?

We’ve gotten so tied up in the J.R. Monterose stuff the past couple of days, we forgot to go back to eBay to catch up on all of those hot records we were watching last week. So we just took a look and, WOW! The prices are quite staggering, and we will be adding more records to the $1,000 bin — and $2,000 bin — and $3,000 bin — than we have ever previously added at one time. Here’s the list:

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This was an original pressing with the red vinyl. It was in M- condition, both the record and cover. It sold for $3,059. The seller was Herschel78, who had a bunch of hot records last week, a few more of which will appear in this post. I had tried to reach out to Herschel78 to find out more about these beautiful records, but he never replied. Perhaps I’ll try again.

Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing in M- condition, both record and cover. It sold for $2,303.

Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was another original pressing in M- condition. It sold for $1,692. A second copy of this record, this one in VG+ condition for the record and the cover, sold for $676.

Lee Morgan Volume 3, Blue Note 1557. This was a Mint copy, sold by our friend and  Read more

More J.R. Monterose: Extremely Rare Recordings Available

Okay, I promised you something cool on J.R. Monterose.  I got a note the other day from a guy who has one-of-a-kind aluminum core acetate recordings J.R. made as a teenager. He got these from the estate of J.R.’s wife. They are 78s, of course, from the mid-1940s, and there are 12 altogether.  Well, I’ll just let you read the note he sent me:

“Hello. A few years ago I attended an estate sale in Utica NY of the late wife of JR Monterose. I purchased a stack of old records and in them were some aluminum core acetate (Wilcox Gay recording) albums of JR playing when he was a teenager. These are the only recordings of their kind for this artist (app.1944) I took the recordings to Syracuse University Belfer audio lab where they

Read more

JR Monterose In Action, Redux

Got two notes recently from Jeff Barr, a long-time jazz writer, DJ, collector, producer and seller of rare vinyl. The first note was asking to inform my readers about his site, www.jazzrecordscene.com, which is worth checking out because there’s some very nice vinyl there. I’ve added a link to this site from Jazz Collector, so you can find it easily from the home page whenever you come to visit it, which we hope is quite often. Jeff also posted a comment giving some more history on the J. R. Monterose In Action LP that I wrote about last week. Here’s Jeff’s comment, which will also come up as a comment on the previous item:

“Peter Jacobson and Jeff Barr started VSOP in 1980 in Washington DC, where Barr was a jazz disc jockey and record seller, and Jacobson was on the staff of the Smithsonian as a legal consultant. The deal to acquire the license to reissue J. R. Monterose, on the Studio 4 label, was reached after contacting Jimmy Sota, the original producer of the LP. Jimmy was coming off a run of semi-successful low-budget spaghetti westerns in Italian with subtitles, and was glad to let us have the deal…we paid $1750.00 to get the rights and the tape, and, oh by the way, two boxes of unused originals…which in 1980

Read more

Price Updates: Roy & Diz, Tal, Stone Martin, Drew

Time to catch up on some of the items we were watching earlier in the week. We’ll do another of these catch-ups tomorrow or Monday when some of the high-tagged Blue Notes close.

We don’t often see Dizzy Gillespie among the higher-priced LPs, but here was a nice one that was sold earlier this week by Euclid records: Dizzy Gillespie and Roy Eldridge, Roy & Diz #2. This record was in M- condition, both record an cover, and sold for $145. No doubt helping the value of the LP is the great illustration by David Stone Martin.

Also featuring a David Stone Martin illustration is The Tal Farlow Album, Norgran 1047. This was also sold by Euclid and was also in M- condition. It sold for $83, not bad for a quality record like this in today’s market. Seems that within the Norgran/Clef/Verve pantheon there are still bargains to be found. Also, please take a look at our earlier post on this album Today on eBay: Tal, Drew, Kenny Dorham, True Blue. I had mentioned that my good friend Dan Axelrod was a good friend and protege of Tal, and he shares some personal insight about the album that’s worth reading.

Speaking of Kenny Drew, that copy of The Kenny Drew Trio, Riiverside 224, that

Read more

1 166 167 168 169 170 206